If hedoesn't like Libby, it's because he's concerned about the impact shecould have on my music. Not the way you're going at it now. I tried painting after painting till my hands were black fromall the colours I'd mixed together,and still I couldn't feel it. ,and he talks about trills and bowing, about vibrato and glissandi withwhat sounds like authority but is likely, I know now, delusion.
What sort of work you do inhere, then? It was more than obvious what sort of work she did. It was a fear that seemed entirelyunrelated to the conversation that she and I were having. He's come out of it? No. Chemistry.
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